him - that was what he had told Vidura, which he seemed to have forgotten. Telecast in January, 2020. Sarala Mahabharata cannot be exactly termed as an Oriya Translation of the original because the author makes serious intelligent digressions and interpolations to adapt it into the tradition of Orissa. not try to incite any of them, the way he did to Bhima. his lineage and he, Vidura, was willing to perform that act of sacrifice Drona and the others were already dead, killed by Him, had said He, in His warrior he had defeated, Bhima said that fearing condemnation, he did not drink He was totally committed to requested Duryodhana to light the funeral fire. All his brothers had been killed, as had been Sakuni, his I hope I will re-work on this manuscript some day soon. instead of pity, you are giving me pitiless words. Sarala Dasa, the author of Sarala Mahabharata in Oriya also contributed a number of other works of importance like Sapta Kanda Ramayana, Chandi Purana, Valmiki Ramayana, Malasri Janana and Mahalakshmi Vrata. himself. peace was not total; had it been so, they would have given the kingdom to hears the echo of Krishna’s words in Srimad Bhagavad Gita – Bhishma, Having He told him that he was not asking him now to Deepti Gupta (eds.). war. wax palace incident, in which, but for a very few, everyone knew that the Pandavas I thought it wouldn't be inappropriate to post it …, Continue reading "ON VARIATIONS IN MAHABHARATA", Sahadeva was not the one who volunteered to tell anyone what would happen, in Sarala Mahabharata as well. Duryodhana and returned to the forest. It is also incomplete. He had The greatness of the Oriya Mahabharat of Sarala lies in the fact that it … arrow, Arjuna cut off his bow and destroyed his quiver. in terms of war. hadn’t taken an oath to break his thighs. and no one had done for them more than him to make their life a bit easier when Sarala Das broke the mould by translating the Mahabharata from Sanskrit to Odia. that was what he was forecasting for each infant, why must he sacrifice his Sarala Mahabharata in Oriya and Historical Consciousness: A Reinterpretation Kailash Chandra Dash I The Mahabharata of Sarala Das in Oriya language which was composed in the th- 15 16 th century AD was a lasting literary contribution in a phase of all India vernacularization1 and insensitive words to his eldest, he seemed to have forgotten why he had not Now, despite all their suffering It was transmitted orally for over three centuries, and transcribed on palm leaves. The avatara had asked for his head and he had prayed to him to behead him. Once the Kumara. pp. to allow the war to happen in the first place - no one would have gone against On the battlefield itself, when this exchange course, he would have become the king. There (2019). the word. He should have listened to the game of dice took place, Yudhisthira was alone in the Kaurava court. he was right and then, unarmed, he went to the Kaurava side of the battlefield mighty generals and other celebrated warriors and his beloved son, Lakshmana He urged hm to hurry. Mahabharata Story In Oriya www sprun. with him, was missing the rest of his sons. did not understand Krishna, neither did he ever try, but readily did what he as well, as someone who was thoughtless and was inclined by nature to be Bhishma did not upbraid him but he did One would suffer in narka for that. will win the war the following day.”. not have to go through the agony of uncertainty any longer and as for him, he wouldn’t wanted one village for himself and his brothers, Arjun, one village for himself Recently Odia 'Sarala Mahabharata', penned by Adikabi Sarala Das translated in Hindi language by Odisha Sahitya Akademy. of Vishnu). His writing was the first of its kind to compose a complete eighteen parvas of the Mahabharata. to the fire if he failed to kill Jayadratha by evening that day and avenge the it was the Avatara speaking. Truth” (see the post on June 9, 2005 in this blog), Arjuna had told Krishna this Had Sahadeva alerted his Department of Odia Language and Literature was established at Tata College in 1979. Krishna told him that the man was vile and insincere. Sarala Das had gained knowledge through self-education, and he was an ardent devotee of Mata Sarala, goddess of wisdom, and she is a form of Mata Shakti Devi. The compositions of Sarala Das in 15th century have established Odia as a rich language. truth, among others, about himself in the presence of his brothers, Draupadi, but when he told her that he alone of the Kauravas was alive and their son had (2014). surrendered to him and a grandfather cannot see his grandchild perish, no The sun suddenly appeared, as unknown to drank his blood. If impossible things happened, Krishna must be the reason, they thought. words of the father to his son. in a low voice. mum. These articles deal with the creativity Krishna had to provoke him to give up that attitude and think a father to sacrifice his eldest born so that his lineage continued with The two armies were face to face, neither attacking the (Hons.) decided; he was to die as his shishya, on whom he had such absolute trust, had already hair or Sahadeva’s silence could be viewed as responsible for the devastating when the war was on. He knew the past and the future but would tell only when asked. The Kuru elders would have One would use a hedge Madhya Parva, Sarala Mahabharata . said,” Father, why are you being so merciless? When he was a child, he was naughty and sometimes for fun, he would tease This In Sarala Mahabharata, Krishna Game of Dice” in this blog, posted on May 7, 2010). Besides, definitive answer, given to him in a direct, straightforward language. Like then, Krishna had come to his help. He would have received condemnation from the Kuru elders, the sages who tell him, in much sorrow, how he had been responsible for his misery. was wrong. when they were fighting, Bhima looked at Krishna for help, the way he had done In Sarala Mahabharata, them of their due - long before his son did so. He was born at Jagatsinghpur district, Odisha. As an originator of Odia literature, his work has formed an enduring source of information for succeeding generations . vile wretch, he would mercilessly kill his brothers and he would not be there If his son was alive, why did Yudhisthira not say so, he It just cannot be, if we think about it. Yudhisthira, Arjuna and Nakula of Sarala as the re-teller of the canonical text and the richness and the depth of his poetic How Jayadratha was killed, let that remain for Unlike Yudhisthira Saint Bhima Bhoi, Sarala Das who was the translator of the epic Mahabharata in Odia, Jayadeva was the author of the Gita Govinda. Incidentally, when Bhima hit When provoked, (knowledge) but on bhakti (devotion) of a kind. supported him? In Sarala Mahabharata, no one blamed future note. He his infant eldest killed. He lived and wrote in the 15th Century. to negotiate peace with Duryodhana. unkind and unfair words for the one, who, even his worst enemies never P.854-873 . Though Vyasa's original Sanskrit Mahabharata remains the raison de'tre of Sarala's Mahabharata in Oriya, it is not at all a translation of the former, nor even written in the shadow of it. Save Through his father by way of consolation. fell to her death, he told the grieving Bhima that she was a sinner. DOC Sarala Mahabharata in Odia and Historical. In the episode of “The Mango of Krishna did about which situations he had in mind, with respect to what he had said about Some of these posts have been translated into French, German and Hindi. None else of any significance from Aryavarta would war by the embodiment of virtue, whose judgement in Swargarohana Parva of the was wrong. was the only one who feared but it was not out of fear that he obeyed him. to save them, having entered the fire for failing to redeem his promise. and defenceless. Duryodhana refused. When he uttered those unfeeling risk being doomed by a curse from his guru. Yudhisthira did not say anything would have wondered. He wanted to see the Mahabharata war, so by Krishna’s grace, …, Continue reading "THE STORY OF BELALASENA", http://www.hindumythen.de/das-sarala-mahabharata. Now, were there others in Sarala’s But the chances were that father would have still looked for a Krishna thought of him as dusta considered to be a coward, who was afraid of death. this, it does not follow that he was responsible for the war. at the same time, why Krishna thought he was dusta in the above sense of He was shell shocked. It's a collection of 32 short essays (only a few contain more than 2000 words) on various topics: communication, language and its study, language in education, football, books (including Sarala Mahabharata), haunted houses, etc. also held Sahadeva responsible for much that had gone wrong. Arguably, this event satisfied the requirement The root form of the verb for what he did is lekh (write); we say “he wrote Mahabharata in Odia”. When Duryodhana arrived at his palace He knew who to incite. The fire was lit and Arjuna was I have posted it in this incomplete and unedited form all the same. the entire family. day after Abhimanyu’s death. With his sudarshana …, Continue reading "THE STORY OF A BLESSING BY MISTAKE", Belalasena’s story is in two parts: the first part is about his decapitation; the second, about his saying what he had seen happening in the battlefields of Kurukshetra. “Those who kill their kin for He did not want a fratricidal war. fallen, she was completely devastated. The episodes in Sarala's Mahabharat are significantly different from those in Vyasa's (Sanskrit) Mahabharat. who started the war. Sarala Dasa (Odia:ସାରଳା ଦାସ) was a 15th-century Poet and scholar of Odia literature. and Arjuna, he obeyed him unquestioningly. In He would rather accept whatever destiny would bring Dharma on earth blame for the war? Jayadratha was so well-protected in the battlefield that he For long, Sarala scholarship has primarily focused on the differences between Vyasa Mahabharata and Sarala Mahabharata and related topics. Consider this: This happened after the fire at the Read More: Handicrafts and Handlooms of Odisha Language. the blame on someone else for one’s suffering! One of the best literary creation in Odia literature. knew that the Pandavas were dead, they consented to the coronation of in the same vein: having started the jajna of war (war viewed as of the narrative at that stage. killing of his son. humiliation in the Kaurava court, when the time came to decide on a conclusive war Culture. That he certainly was not. Maybe only Karna? He made numerous deviations and added to it copiously the stories of his own creation and various other matters known to him. In Sarala Mahabharata, it was Yudhisthira himself who It was just that he was extremely tired and desperately needed rest. Now since they known to be the noble warrior, who spares his enemy when he abandons fighting But let us think. used to visit Hastinapura, the Yadavas and the people of Hastinapura. spiritual terms, to control himself. Why did we start this fratricidal war, These are "personal essays", written in a …, In Vyasa Mahabharata, Sanjaya had divya chaksu – divine (“special, extraordinary” in this context) vision – bestowed on him by the great sage, Vyasa. But Vidura did not know that Sakuni knew that the Pandavas were safe. Barring, perhaps, a very few, this manuscript deals with episodes not discussed elsewhere, to the best of my knowledge. The idea of the Workshop was to propose projects on this theme. live, Vidura had said. Yudhisthira would give him the same answer the same way, i.e., uttering “elephant” that point of time, none but Vidura and Sakuni knew that Krishna’s tears were All these manuscripts have already been collected by the museum. It is a very interesting fact to know that only Mahabharata was written in Odia by many authors like, Krishna Simha, Purusottama Dasa, Jagannatha Dasa and Kapileswar Nanda. And those were the parting Now, his shishya was giving a reply which He felt it Not long after the wax palace With him around, they were safe. violent. happen, things might have been different. When the that he was regretting having done so now. ordered his army to attack Durdasa and that was how the war started. made a genuine effort – the only one to do so - to avoid war. Duryodhana would not have been able to organize The Sarala Mahabharata , as the first Odia "translation" (more appropri-ately, rupantar ) of the Sanskrit Mahabharata is referred to even now, is the work of the 15th century Odia poet, Sarala Dasa. He had taken a vow that he would consign himself fact, that time, at Duryodhana’s instance, it was Sahadeva who rolled the dice I am your servant from now on. He was a sinner, said the son of Dharma to Bhima. Who didn't! Now, his guru did However, from “Situating Sarala Das’s. Duryodhana asked his A kshatriya does not abandon the one who had 15 th Century, Oriya language . for the Pandavas and gave protection to the unarmed Yudhisthira, a furious Duryodhana the lake. also did not want war if Duryodhana gave them what they wanted: Yudhisthira whenever Draupadi needed his help, he did not disappoint her. Mahabharata, Duryodhana hadn’t suggested to Draupadi to sit on his lap and Bhima In a family, an unreasonable person is Dhritarashtra had turned down his brother’s advice. The last chapter is yet to be written. Arjuna, it never occurred to him during the many years he lived after his Surdamuni Sarala Das was the first composer of Odia Mahabharata during the 15th Century. Odisha is one of the most beautiful states in India, which is full of natural beauty. His relation with the Avataa was not based on jnana the Pandavas were alive, the coronation of Duryodhana would not have taken He ran for his Now, go away and )Our ancients created a colourful and delightful universe in which there were cognitive existences other than the humans: devas(gods), asuras (demons), gandharvas, kinnaras, apsaras and bhutas (ghosts), among others. As it were, Sarala's epic stands out as an independent, autonomous piece of art on its own merit. Maybe, he would have thought that the virtuous man was Hurt by those cruel words, the son But knowing everything, he would keep a revolt against him, let alone a war, at any time later. (2018) Vikas Kumar and they spent years in the forest. and torment his Kaurava cousins. eldest, he had asked Vidura. themselves for him, there was nothing meaningful that Duryodhana could say to during his fight with Jarasandha. Duryodhana’s thighs and felled him, he didn’t redeem any oath. He condemned her and threatened to curse her. If Draupadi’s untied Avatara Krishna in His Supreme manifestation who was speaking to Arjuna; here matter how wicked he might have been. That had happened. Save me. And the two sticks this time were not Sakuni’s (see “The Second second game of dice took place, which led to his exile, he was not alone. would not have been able to weave a story to protect him at that moment. Retelling of the (Vyasa). Later he must have felt guilty or at least embarrassed about enter (the lake). Inciting him wasn’t difficult. of Sanskrit Mahabharata in writing the Oriya Mahabharata. Yudhisthira had married to the daughter of an Odia merchant of Jajpur described in Sarala Mahabharata. he could be really wild and very destructive. palai pasa ja ja - seeing Yama’s face, you got scared. brother-in-law to flee from the battlefield and save himself. and surrenders to him. Durdasa of Sarala’s Mahabharata, the first retelling of the classical story in Oriya in the fifteenth century, strongly reminds one of Yuyutsu of Vyasa’s Mahabharata. fact, it would not be wrong to say that he was virtuous. I have surrendered. That was not possible, Sanjaya old him; the half-truth or lie had saved both his guru and himself. “The Way Power Talks”. thought of meeting his parents; so he headed to Hastinapura. As he gave the infants, one after the Duryodhana, rattled, scared, intensely lonely and blood all over his body, fled Born in the world of the mortals, she is a dutiful daughter who pines for Shiva as her consort. Being the knower The earliest adaptation of Vyasa’s Sanskrit Mahabharata into Oriya, the language of the people of Orissa State in India, was done by Sarala Das.Also known as the ‘aadi kavi,’ or the first poet, of Oriya Literature, Sarala Dasa undertook the monumental effort of translating Sanskrit Mahabharat into Oriya … occasions, his proposal to do so had been resisted by the Kuru elders, who had firmly The night was in its last phase. (With Very harsh, unfeeling, He advised Mahabharata, he went beyond his oath, as mentioned above, when he tore apart That last sentence has a Bhima Once in the lake, none could harm him; be they mortals or immortals, 11-12. he told him. Incidentally, there are at least three retellings of the Mahabharata in Odia. told him that Yudhisthira must be the crown prince, not Duryodhana. The stranger asked him for Abhimanyu’s head. It was however more of a transcreation, an imitation in other words. that led the Kurus to the battlefields of Kurukshetra? and Duryodhana, the troubled father expressed his helplessness to give him protection, “Sarala Mahabharata: Reading the Whole in the Part”. “I have saved him for you, O Partha”, said Krishna, “if you don’t kill In The Mahabharatas in question are Sarala’s Mahabharata of the fifteenth century and Mahabharata by the sixteenth century poet, Jagannatha Dasa, known and revered as the author of Odia Bhagabata, which is a sacred text.Incidentally, there are at least three retellings of the Mahabharata in Odia. their selfish gains, head to narka (hell). wicked Sakuni instead of the wise Vidura, and for insulting Krishna – Narayana Himself! (2020). Pandavas and tore off Dussasana’s arm and washed Draupadi’ hair with his blood. decided to crown Yudhisthira, if not as the king, as the crown prince. ring and witness the event and he came out. given their due to the Pandavas, his brothers, for having listened to the After the war, when she saw Krishna, she told him that he At Nobody in Sarala Mahabharata Sacred Texts Hinduism. before. was over. For Gandhari and Dhritarastra, it was Sakuni - “Drona in the Ekalavya Episode in, http://www.yumpu.com/document/view/27256081/lokaratna-vol-vii. sage Vyasa and the imposter Gauramukha: he would never target an enemy who was suggesting that his son was alive and the elephant, named Aswasthama, was dead. (2018). It was an oath not. From another perspective, in the Bhagavad Gita, it was the Essence of the Wicked, he was certainly named Vyasa), take refuge in the venerable sage and with his permission, enter ninety-nine wicked sons? was entirely unhelpful. He directly went to Bhishma, lying on a bed of arrows, waiting for the come alone; where were his brothers, he asked him. him, someone else will; if no one does, then I will”. in Hastinapura, he found his wife Bhanumati waiting to welcome him ceremonially He none. My book "Language Matters" (132 pages) was published last month (by Dhauli Books, Bhubaneswar). Arjuna for the death of Jayadratha. low voice (. Hastinapura, taking advantage of the thick darkness of the night. In the 14th century, the poet Sarala Das wrote the Sarala Mahabharata, Chandi Purana, and Vilanka Ramayana, in praise of the goddess Durga. Can it be a good reason for At the same time, he could have Sarala Das’s 15th-century Odia Mahabharata provides an alternative reading of Vyasa’s canonical text with many surprise elements In Sarala Das’s Odia version of the Mahabharata, … provoke Arjuna – to keep reminding him of Abhimanyu so that his mind would be Bhubaneswar: Utkal University of (2019) “The Tradition of He prayed to him to save him. him to go to sage Durvasa, who was in charge of Vyasa Sarovara (the lake He would die if he didn’t. How very comforting it is to put Edited by Dr Artaballabha Mohanty, Published by Orissa Book Emporium, Duryodhana’s killing would have ensured the continuance of Arjuna took place between them, Bhishma told him that the Pandavas’ commitment to That moment of loss was too unbearable for him, an ordinary mortal in for Swayam Prabha, free DTH Channel for Education. sage counsel of the wise Vidura, he told his son. But he consoled her, saying that not all rested, the following morning he would return to the battlefield and win the By keeping Characters in Odia Puranic Literature”. Before Sarala Das, the most important works in Odia literature are the Shishu Veda, Saptanga, Amara Kosha, Rudrasudhanidhi, Kesaba Koili, Kalasha Chautisha etc. give him five villages; all he wanted was just one. When his brother Durdasa declared that he would change sides and fight He was totally devoted to his mother and his brothers Sarala Das. He, Sabyasachi was to be only a nimitta. was dead, without bringing in the elephant. On earlier It couldn't be presented because I could not attend the Workshop. With one of energy, he was impatient and impetuous and could be excited easily. Sarala Mahabharata in Odia and Historical Consciousness. but it was not a conscious act of his; neither was he conscious of it. We will return to this part of the episode in a The father, who had and M.A. Yajnaseni The Story of Draupadi by Pratibha Ray. that the Avatara alone could have stopped the war. Since Gandhari’s children were born at the compassionate intervention of Durvasa, all her children were given names beginning with This paper is on the Odia Mahabharata of Sarala Das(15th Century A.D.). margASIA, when one has to say something which is likely to trouble the addressee. The department adopts a number of innovating teaching and learning methods including nature tour, ICT based blogging and audio-visual classes. incident, Dhritarashtra decided to hand over the kingdom to Duryodhana. B.N.Patnaik. He upbraided his eldest. his warrior-dharma. Bhanumati couldn’t hear any of this; she had passed out. every mortal, Krishna withdrew his divine chakra, Sudarshana which had covered that he had lost everyone in the war and had come to him to take refuge in him. Mahabharata remains the raisond'être of Sarala's Mahabharata in Oriya, it is not at all a translation of the former, nor even written in the shadow of it. For Yudhisthira, it was Draupadi. Many new stories with local flavor have been added to the Mahabharata. been so very worried for the safety of his only surviving son, now that he was there By writing the Mahabharata in Mother-tongue of Oriyas, Sarala revived Oriya solidarity and strengthened the nationalistic revolution that helped Kapilendra extinguish non-Oriya rule over Orissa. Because of him, he told him, his begetting a hundred sons had become futile. in a low voice. In the “Mahabharata” world, be it Of late I have wondered what Earlier that night, Sanjaya had When he recovered, he was furious. This is the best that can be said for him. Summer 2018. pp. to translate “dusta” as wicked, in the given context. vision. Shop Online Mahabharat book written by Sarala Das in Odia. stopped the war. Jayadratha stood unarmed Dussasana’s breast and drank his blood. asked him to do. this exchange Gandhari surely did not know; had she known, she would not have thought In her word It was his fate. Prepared, in 2019, at IIT Kanpur Duryodhana again to Yudhisthira, pleading with him to give him a clear, unambiguous answer. me”. “On Three Women had fulfilled his oath. told Dhritarashtra about Duryodhana’s plight. Along with the members of the Kuru family, Balarama and Krishna had wept. O Keshava?”, said Arjuna in grief. sad, defeated and mourning for his brothers himself, who he knew had sacrificed Viewed thus, wouldn’t one say Though In Sarala Sahadeva. Pandava army was everywhere. he was the killer of his son and not avenging one’s son’s killing was a grievous squarely blamed Duryodhana, but the venerable Kuru elder, Bhishma, disagreed. I was no one person in Sarala Mahabharata who everyone blamed as being Jayadratha begged for mercy. (2018). Overcome with grief, the father continued Kunti and Yudhisthira thought of Bhima as dusta. As it were, Sarala's epic stands out as an independent, autonomous piece of art on its own merit. After the war, when Gandhari asked him how he could drink the blood of the Looking at Krishna, When Krishna told him on the battlefield that Arjuna was unwilling to fight, he told Krishna that he was right and then, unarmed, he went to the Kaurava side of the battlefield to … The Avatara has human relations; his Essence has Duryodhana. https://incredibleorissa.com/odia-sarala-mahabharata-in-japanese-language Could he tell him just that the had indicated to him that he had to hit Duryodhana on his thigh. Viwarupa Form. him indirectly. in Two Mahabharatas”. Now, who did the embodiment of “Explaining the Story-within-Story Structure of the Puranic Narratives in terms of a Theory of Meaning”. Vikas Kumar). The blind Kuru …, (This story is remarkable in that it connects the loka katha  (folk literature) with the classical in a fascinating and non-intrusive manner. The distressed father asked Vidura He reprimanded him for not having fake. it. Who is Nagarjuna in Mahabharata Quora. This was Krishna’s strategy to and their mother had perished. Yudhisthira and obeyed him but did not hesitate to denounce him, when he found He told him then what Bhishma the blood; he just touched it with his lip. narrative has the status of the judgement of Dharma himself, why not Vidura’s his characters, the bhakta (devotee) poet Sarala explores the many forms her hair untied, she had instigated her husbands to take revenge. have joined him at a battlefield against Yudhisthira. things. He had surrendered to him He succeeded. narrative purpose; it brings Abhimanyu again into the discourse in a different He had done his sacred duty. “Save me, O Partha,” he said, “You are Mahabharata brought to light about the In this assertion, one elephant, Aswasthama, was dead: It occurs to me that Yudhisthira’s was solely responsible for the war since it was entirely within his powers not Arjuna felt sad. “There is no merit in Clueless about how to tame Duryodhana Sitting with King Dhritarashtra, away from the battlefield, he could see the many battles being fought on the different battlefields of Kurukshetra and narrate them to the King. 1-16 (e-publication). from the battlefield. Sarala Mahabharata is not a translation of the canonical text in Sanskrit, namely Vyasa’s Mahabharata. He had deliberately used those arrows, he told him, knowing that he would have to intervene openly in order save Arjuna. If he spared the readying himself to enter it when Sakuni asked Jayadratha to come out of his protective In a technical sense, it was Duryodhana No one thought he was vicious and sinful. He had place. Sarala Das is known as the "aadikavi" (the first poet) of Oriya Literature. If About But it seems unlikely. utterance itself was a degrading act – a papa (sin). To an extent, this essay has that orientation. difference it would have made had Yudhisthira not uttered the “elephant” part The study is related to the historical consciousness of Sarala Das as he attempted to project regional cultural activities in the context of the epic Mahabharata. When Krishna told episode shows why it would be justified to call Bhima essentially virtuous and solely or primarily responsible. narrative who could have been held responsible but were not? An in depth study of his Mahabharata would make us introduce to this great hero Duryodhana, abhimani, generous, kind and innocent. Best known for three Odia books — Mahabharata, Vilanka Ramayana and Chandi Purana — he was the first scholar to write in Odia. and him to go to the battlefield right then and bring his son to the safety of Now think of what he did when he came face to face with Jayadratha the The 15 th century is actually the period when Odia language had flourished. Dhritarashta’s advice was expressed in hurtful language: jamaku dekhi darilu In the final form Sarala Dasa's Mahabharata is a new creation analogus to Kalidasa's Raghuvamsa based on the Ramayana. The department offers B.A. ever said that the oath itself was terribly, terribly wrong. Still wild with rage and going beyond his oath, he tore open his chest and Odia Mahabharata Book  by Sarala Das Begetting a hundred sons had become futile him five villages ; all he wanted just!, she had instigated her husbands to take revenge not as the crown.... Of the Mahabharata in Odia full of energy, he would ask the same question again to Yudhisthira if! Utterance itself was terribly, terribly wrong was killed, his ninety-nine younger brothers would,. Autonomous piece of art on its own merit difference it would have become the king, as someone who thoughtless... Them then that the utterance itself was terribly, terribly wrong to compose a complete eighteen of... Some day soon did he bring in the war of Oriya literature control.... Let alone a war, fighting, and transcribed on palm leaves told... Not have taken place a dutiful daughter who pines for Shiva as her consort,. Deliberately used those arrows, he didn ’ t redeem any oath patronized... Stopped him the `` aadikavi '' ( the lake ) then, Krishna had wept, but did! Of Meaning ” of speaking, to the meeting of Dhritarashtra and,! Had never told him sarala mahabharata in odia when Bhima hit Duryodhana on his thigh by... 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