The Pretty Little Liars alum teamed up with G-Eazy to cover Radiohead's "Creep," marking her first venture into the music industry. This is totally understandable on one hand — who wants to take on the more hallowed, yet less universally recognized material from Kid A, anyway? Ingrid Michaelson. What He Brings: Real fucking pain to this real fucking painful … Ingrid Michaelson brought her indie vocals to the song in this soulful ukelele … | iHeartRadio. Single Swedish. German, Ad ogni costo Italian, Kryp 2020-11-30T19:35:22Z Comment by Carole Castellan. Creep by Radiohead | acoustic cover by Jada Facer - YouTube After word spread that Prince covered Radiohead's "Creep" at the Coachella festival, the tens of thousands who couldn't be there ran to YouTube for a peek. 2,” when after that big climax of the original, the protagonist lets it go and floats away into the ether. But, again, really the whole phenomenon of “Creep” is kind of a paradox when viewed in the larger context of Radiohead. “Creep” is one of those massive things that’s just out in the atmosphere, and that means a lot of the covers of it aren’t from artists who seem logically inspired by or related to Radiohead. It’s Korn — let’s say, far from one of my favorite bands — covering one of my favorite bands. We offer you five incredible ‘CREEP’ covers (Radiohead) performed at The Voice Kids worldwide. Haley Reinhart, Bruno Pelletier accompagné de Julie Lamontagne, © 2003-2020 There’s that arpeggiating guitar, but that’s almost it — the sharp downward strikes of Greenwood’s original guitar are reconfigured as muted, distorted thunder. Regina Spektor – “No Surprises” With Regina Spektor’s soft whisper singing and the stellar piano … Even if it’s one of their lesser songs, I can’t abide this. So often, the song is intended to convey such deep, pained emotions, but this one actually pulls that off to a degree. That’s a movie I’ll argue is one of the classics to have been released since 2000, one of the movies that sums up so much about the era so incisively. English, Creep Songs far greater than “Creep,” even, are rarely that malleable. Karen Marie, Scott Bradlee's Postmodern Jukebox feat. Vintage Postmodern Jukebox Radiohead Cover ft. Haley Reinhart. Normally, I’d discount these kinds of covers from a list like this. written by Colin Greenwood, Jonny Greenwood, Ed O'Brien, Phil Selway, Thom Yorke It achieves a paradox: the catharsis of hearing that sort of moment belted out by thousands in an arena, along with intimacy of such an emotionally raw song. secondhandsongs.com. Someday, I’ll probably hear a quiet piano instrumental version of it in a Chinese restaurant, alongside “Layla” and “Hey Jude.”. Macy Gray decides to do “Creep,” and it’s one of my favorites out there. Creep chords by Radiohead. share. It could soundtrack a movie sequence taking place in a crumbling cathedral in a dystopian city, or something. Stream Creep-Radiohead Cover by hollyhenry from desktop or your mobile device. If we’re talking about that man at his worst, that’s a few levels of grunge-lite. The sisters sang the Radiohead classic for Germany's 'The Voice Kids.' It’s a famous song by a brilliant, pivotal band — but it is almost entirely unrepresentative of them aside from its mainstream reach and has aged especially poorly compared to other material in the Radiohead canon. That’s, unfortunately, one of the core issues with “Creep.” Even outside of the heights to which Radiohead would later climb, “Creep” is one of the brooding faces that launched a thousand bad mall-rock bands in the late ’90s and early ’00s. The crucial fact here is that it was used in a trailer for David Fincher’s 2010 movie The Social Network. damn kevin I love you. Radiohead - Samples, Covers and Remixes on WhoSampled. Can you imagine hearing this while hanging out on a beach in Ibiza? It seems that every time I make one of these lists, there’ll be some meditative piano cover out there by Tori Amos. One of them is from Amanda Palmer, because why not. Conan O'Brien & The Legally Prohibited Band, The Sound of Camden feat. The case of “Creep” is especially curious. A playlist featuring Radiohead, Scott Bradlee's Postmodern Jukebox, Daniela Andrade, and others We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Like almost every cover of “Creep,” it’s a pretty straightforward reading, but for whatever reason he has a DJ scratching all over it. That almost cheap-sounding, mechanical beat, the air-y yet claustrophobic synth beds, that eerie piano line — it sounds almost like “Creep, Pt. Genre Creep Comment by Damien Bainbridge. châu bùi đưa toi tới đây. It’s not too out there to imagine this as being more akin to what “Creep” might’ve sounded like had Radiohead released it later in their career. As you’ll see below, they range from nu-metal to pop stars to a bunch of other random stuff. “Creep” is one of the iconic ’90s songs that, oddly enough, has become a sensible choice for slick, safe pop versions. At any rate, judging by the sound of the guitars and the way Vedder’s singing here, I’d estimate this to be sometime in the mid-ish ’90s, in the throes of their post-stardom flare-out (and, ahem, actual artistic peak circa No Code). For whatever reason, there are a lot of ukulele covers of “Creep” on YouTube. The sisters sang the Radiohead classic for Germany's 'The Voice Kids.' Between that and Moby’s nondescript alt-rock vocals, we’ve got something like Incubus covering “Creep,” which is not something I’d ask for. When Scott told me he’d once seen Tears For Fears perform “Creep” live, I was kinda hoping they had turned it into something like “Mad World.” They didn’t, but their reading of it is still pretty cool. 2020-05-22T07:53:02Z Comment by Nguyễn Nam. Just yesterday we got a professionally recorded take on the song by Tears For Fears. Single 2,576,264 views, added to favorites 13,204 times. The too-cute, too-proficient-without-feeling kind of vibe, the kind of thing that you hear and assume it was made specifically for a coffee shop soundtrack. written by Gunter Gabriel, Jan Sievers Tuning: E A D G B E. Key: C. Author Unregistered. Though it was uncommon to consider O’Brien at fault in the mess, it’s understandable that the guy could relate to “Creep” a bit — after briefly holding his dream job, here he was on the road passing time, in a way issuing a big middle finger at the whole experience. Managed by atichon, Creep OK, so “indiscernible” is partially Pearl Jam’s honor because this comes off as something random Eddie decided to do when he was drunk onstage, and he is accordingly not quite understandable through all this. 100% Upvoted. I never watched Glee, but I guess it looks like a breakup. But having the song on Glee is more extreme, disassociating it from the context of Radiohead altogether — if you didn’t know the history of the song and came across it this way, you’d assume it was a trite, overly literal song written for a TV show about emotional teenagers. SoundCloud. This Cover of Radiohead’s “Creep” is Hauntingly Beautiful—it gave me Chills. report. He delivers the whole thing in a ridiculous mock British accent, before amending the final verse to list a few British celebrities that might be bothered by it. Sort by. This cover of “Creep” comes from a compilation put out by Cafe del Mar, a famous bar in Ibiza known for releasing ambient, chilled out music … save. Let us know in the comments. But hey, this is still Conan O’Brien. The fact that the woman who sang Frozen’s “Let It Go” and was in Rent covered “Creep” doesn’t necessarily shock me. In This Moment - Creep (Radiohead Cover) In This Moment - Creep (Radiohead Cover) Now Playing Tracks. I don’t know what degree of control Radiohead would’ve had in allowing “Creep” to be performed on Glee, but if they did have a hand in it, it feels like one final, violent act of distancing themselves from the song forever. View official tab. For a moment, I was almost dissuaded by Jonathan Davis’ heartfelt introduction to Korn’s acoustic cover of “Creep.” As over-saturated and weakened as the song has become, for it to rise to the prominence it did, obviously it must’ve been really important to a lot of young people like him in the ’90s. All this means is a song like “Creep” gets so big and seems to mean so much about one particular time and generation, that it then becomes de-fanged and empty and meaningless. But the version of “Creep” by the Scala & Kolacny Brothers Choir is a different story, and one that isn’t necessarily rooted in the song itself. The “less universally recognized” bit is also telling. @reza7202-r literally no one mentioned Billie. 1992, Pablo Honey Creep Fullscreen . There’s a sense like “Creep” doesn’t even belong to Radiohead anymore, and that’s fitting. Previously awarded to Barry Gibb for covering Springsteen’s “I’m On Fire,” psychobilly band the Mutilators are now also the happy recipients of the “Rift In Time And Space” Award. written by Georga When it comes to this one, I’m really more curious about this massive white couch Menzel has onstage, and why/if she spends a whole show sitting on it. But, also — there was a point in their career where I could see Pearl Jam really being into “Creep” and wanting to play it straight, and there’s a point not too much after that where I could see them doing this as something of an ironic, self-deprecating piss take. I mean, Scott Weiland-lite. When did Robbie Williams recast himself as a pop-crooner? (Which, as it happens, also exists.). Lyrics: "Creep" When you were here before, I couldn't look you in the eye, You're just like an angel, Your skin makes me cry, You float like a feather, In a beautiful world, And I wish I was special, You're so fucking special. Ingrid Michaelson’s version fills the role here. vibe. Hands with the residue of aggro rap-metal and white people with dreadlocks. That being said, rock vocals are not the man’s strongest skill, and his cover of “Creep” is not one of his finest moments. For me, it pushed “Creep” away from the ’90s stereotypes it could be bogged down in, and rooted it in something different — the world of likes and shares and questions of privacy and information. In 1992, during rehearsals for their first album, Pablo Honey, with producers Sean Slade and Paul Q. Kolderie, Radiohead spontaneously performed "Creep". SecondHandSongs is building the most comprehensive source of cover song information. 00:02. Rewind 10 Seconds. Songs that have little to nothing to do with them now, whether they’re off The Bends or even something like “No Surprises.” First and foremost of those, of course, is “Creep,” from their 1993 debut Pablo Honey, AKA the Radiohead Album That Never Actually Happened. Still, knowing the context, it’s a joke with some bite. It’s not hard to find classical or jazz covers of famous rock songs, but that usually feels a little far afield for this. Discover all Radiohead's music connections, watch videos, listen to music, discuss and download. Along the spectrum of “Creep” covers, this is up in the Blues Traveler Pantheon of head-scratching decisions. Continuing from the point I made about Moby — part of the reason “Creep” strikes me as such a cartoonish bit of ’90s angst is that it has to be in the top five or ten touchstones of the era, the supposed “classics,” that would’ve served as the inspiration for a whole unfortunate genre of bands that trafficked purely in cartoonish angst, and would record covers like this. Creep - Radiohead (Piano Cover) by Kevin published on 2015-12-09T02:11:38Z. Another surprise is that it actually brought to mind what the song might’ve sounded like, arrangement-wise, had Radiohead been more akin to Britpop than American alternative — there are moments here that remind me of what might’ve happened if Pulp had covered “Creep” around the time of This Is Hardcore. I don’t know why Moby was messing around in that sandbox in 2007, considering that at his peak, he was a major name in the electronica trend that was described as the future compared to all those faceless nu-rock bands that would’ve played a cover like this, and would’ve filmed their video for it in a skate park in southern California. A lot of the sounds might be passe now, but I’ve got a soft spot for those singles from Moby’s prime, and a not-quite-explainably nostalgic reaction to “Southside” in particular. It doesn’t get too bad until the chorus, when the singer drops into this Scott Weiland-lite yarl. Feck. February 1993, Added by koan Homeless Mustard, New York, 2009. 00:00. Who is your favorite? Blues Traveler’s cover of “Creep” is one of the only ones out there that does anything significant with the arrangement relative to the original. 2020-06-01T04:16:39Z Comment by Jennah Rekka Kali. And, sure, there’s a way to hear this take on “Creep” that way, but it’s also a lot, well, creepier than most renditions of the song. If it’s fake, someone did a very good job of approximating the band.) Even if he felt unwanted in some capacity after losing The Tonight Show, his version of “Creep” is a joke. After that whole Tonight Show debacle in 2010, O’Brien set out on what he dubbed the Legally Prohibited From Being Funny On Television Tour, killing time until he was allowed back on NBC in September, and cementing the public goodwill that already existed with the whole Team Coco business and anti-Leno sentiments. I didn’t know about Sentenced until I found this, but just like that I was transported back to every Hot Topic I thought it made sense to spend time in when I was a teenager. I’m not necessarily going to cue this one up to listen to it all the time, but I feel like it would’ve been an interesting thing to witness at any point in Pearl Jam’s career pre-classic rock phase. follow 30 Followers Lisa Erickson (27,605) Tears’ cover is spectral, and floatier than most, but I still wouldn’t mind hearing a few layers of synths underlying the whole thing. View credits, reviews, tracks and shop for the 1993 Gatefold Cover Vinyl release of Creep on Discogs. no comments yet. Be the first to share what you think! Much like Blur’s Leisure, Radiohead was a band that began with derivative, comparatively uninspiring music that would evolve into something much grander, much more exciting, much better. They’ve got strings and ton of guitars, but also lots of little tambourines and tiny percussion in the chorus that sound cool. Meanwhile, it became one of the archetypal representations of Gen X, and it became a go-to song for people to cover by Radiohead. 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